OBSERVAÇÃO: A MAIORIA DAS PUBLICAÇÕES CITADAS PERTENCEM À BIBLIOTECA DO CCBB - CENTRO CULTURAL BANCO DO BRASIL (Rio de Janeiro, rua 1o de Março).
CALMANN-LÉVY, C. André Breton: Le Grand Indésirable. Paris: Centre National des Lettres, 1990.
CATÁLOGO. ADES, D. Dada and Surrealism Reviewed. Introduction by David Syilvester and supplementary essay by Elizabetn Cowling. London: the Authors and the Art Council of Great Britain, Hayward Galleries, 1978. 475p.: il., pp. 28; ill.9, 15.
CATÁLOGO. An Exibition of Max Ernst: Paintings, Drawings and Sculptures: from the Menil Family Collection. Houston: Rice University. Frankfurt: Kunstverein, 1970.
CATÁLOGO. ADES, D. Dada and Surrealism Reviewed. Introduction by David Syilvester and supplementary essay by Elizabetn Cowling. London: the Authors and the Art Council of Great Britain, Hayward Galleries, 1978. 475p.: il., pp. 28; ill.9, 15.
CATÁLOGO. An Exibition of Max Ernst: Paintings, Drawings and Sculptures: from the Menil Family Collection. Houston: Rice University. Frankfurt: Kunstverein, 1970.
CATÁLOGO. BARBOSA, A. M. Catálogo Geral de Obras 1963-1993. São Paulo: Museu de Arte Contemporânea da Universidade de São Paulo, Fundação Bienal, 1993, p. 173.
CATÁLOGO.BEAUMELLE, A. de la; MONOD-FONTAINE, I.; SCHWEISGUTH, C. André Breton: La Beauté Convulsive. Paris: Musée National d'Art Moderne, Centre Georges Pompidou, 1991, pp. 106, 113, 184, 380.
DICIONÁRIO. BIRO, A.; PASSERON, R. Dictionaire général du surréalisme et ses environs.:sous la diréction de Adam Biro et René Passeron. Genève – Paris: Office du Livre et Presses Universitaires de France, 1982. 464p.: il., retrs., pp. 17, 40, 92.
DICIONÁRIO. BIRO, A.; PASSERON, R. Dictionaire général du surréalisme et ses environs.:sous la diréction de Adam Biro et René Passeron. Genève – Paris: Office du Livre et Presses Universitaires de France, 1982. 464p.: il., retrs., pp. 17, 40, 92.
DICIONÁRIO. SCHAMALENBACH, W.; GRASSKAMP, W. (Biogr.). German Art of the 20th Century: painting and sculpture 1905-1985. Translated by John Ormond. München - Düsseldorf: Prestel, 1987, p. 441.
ENCICLOPÉDIA.RICHARD, L. Petite Encyclopedie de L'Expressionnisme: peinture et gravure, sculpture, architecture, littérature, théâtre, la scène expressionniste, cinéma, musique. Paris: Somogy, 1992. 288p.: il., retrs. (Petite encyclopedie, v. 4).
GAUNT, W. The Surrealists. London: Thames & Hudson, 1975. 272p.. il., pp. 103.
ENCICLOPÉDIA.RICHARD, L. Petite Encyclopedie de L'Expressionnisme: peinture et gravure, sculpture, architecture, littérature, théâtre, la scène expressionniste, cinéma, musique. Paris: Somogy, 1992. 288p.: il., retrs. (Petite encyclopedie, v. 4).
GAUNT, W. The Surrealists. London: Thames & Hudson, 1975. 272p.. il., pp. 103.
GIBSON, M. Symbolism: Figures du Moderne, 1905-1914. Köln: Taschen, 1995. 255p.: il., pp. 116-118, 125-130.
GIBSON, M. Duchamp Dada. Paris: N. E. F. Casterman, 1991. 263p.: il., p. 231.
GIMFERER, P. Max Ernst. Tradução de F. C. Azevedo. São Paulo: Ao Livro Técnico, 1983, pp. 27, 28.
LÉVÊQUE, J-J. Le triomphe de l'art moderne: les Anées Folles. Paris: A. C. R. Éd. Internationalles, 1992. 624p.: il., retrs., pp. 260, 299, 304.
LUCIE-SMITH, E. Art Today. Oxford: Phaidon Press, 1977. 21,5 x 26,5 cm. 417p.: il., retrs., pp. 350, 489.
NÉRET, G. 30 ans d'art moderne: peintres et sculpteurs. Fribourg: Office du livre, 1988. 248p.: il., pp. 19, 29, 219, 304.
PIERRE, J. El futurismo y el dadaísmo. Madrid: Aguilar, 1968, p. 146.
PIERRE, J. L'Univers Surréaliste. Paris: Somogy, 1983, pp. 165, 166, 311.Genève: Skira, 1992. 163p: il., p.63.
RAGON, M. Journal de l´Art Abstrait. Genève: Skira, 1992. 163p: il., p.63.
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